WHO'S DESCRIBING THE CHARACTERS IN YOUR BOOK?
The way an author
describes a character can depends very much on the viewpoint
character. A child, a younger adult, a contemporary, each will
see/hear/note different aspects. Here are three examples.
TOMMY, AGED 5, MEETING
HIS GRANDFATHER FOR THE FIRST TIME:
He thought Grampa
looked interesting. He looked like a nice apple, small and round and
rosy, and his hair was white and wispy. The top of his head shone
through like pink china. His eyebrows were very thick and bushy and
when he saw Tommy watching him, he wriggled them like caterpillars.
For a moment he looked quite fierce but then he held out his arms and
smiled. THE FAMILY ON PINEAPPLE ISLAND)
THIRTY-ISH MANAGER OF A
RETIREMENT HOME, DESCRIBING ONE OF THE RESIDENTS:
Art is Patrick's thing.
In his room he paints exquisite miniature watercolours of miniature
birds - wrens, robins, blue tits. You'd never suspect it to look at
him, such a large man, over six feet tall and heavily built. A plain
man with a florid boozy complexion and coarse red hair now faded to
the colour of stale cornflakes. It's always struck me as odd that he
should choose to paint such tiny pictures. (ME, DINGO AND SIBELIUS)
Sometimes a mix of
dialogue and action work well.
ELEVEN YEAR OLD DANNY
AND HIS MOTHER'S SEVENTY-ISH CLEANER:
Up on the first floor I
can hear Mrs Maggs, our cleaner, thumping her broom against skirting
boards, bellowing out 'Land of Hope and Glory'. Nobody tells her to
be quiet, even though it's only half past eight in the morning. I
think they're all afraid of her. She appears at the top of the stairs
with a cardboard box full of cleaning cloths and brushes. She is
wearing fuzzy pink slippers with holes cut out for her bunions.
'What you doin' there?'
she asks me.
'Waiting for my Uncle
Frank.'
'Hmmph!' She shuffles
down, muttering something about persons who have nothing better to do
than sit on the stairs getting in other persons' ways and swipes a
damp smelly cloth across my face as she passes.
She pulls a duster from
her overall pocket and glares at the life sized statue of Mercury
beside the front door.
'Some persons,' she
grumbles, 'don't know they're born! Some persons just don't know when
they're well off, living in one of the best mansions in Bristol, full
of statues and stained glass, instead of a Council flat in St Pauls
with compensation running down the walls. It's all right for some,'
she grumbles, 'but what about them that has to work? Eh?' (THERE'S A
LION IN MY BED!)